Showing posts with label subtext. Show all posts
Showing posts with label subtext. Show all posts

Wednesday, March 24, 2021

Chapter 1: Section 5: Page 36: Line 7 (589)

 The "spotter" from White City Investigations showed up at dawn, packing a small observatory's worth of telescopic gear.

* * * * * * * * * *

"White City Investigations"
The detective agency named after the Fair but also named to invoke the idea of the imperialist mentality of the 18th century. It's the whites who control the norm and thus must investigate everybody who isn't acting like white people think they should be acting (in other words: non-white people).

"a small observatory's worth of telescopic gear"
This is it! This is Pynchon saying, "We're about to really begin examining late 19th century America and, by extension, the world! Let's really get into the weeds by focusing this telescope on them weeds over there where some ants are unionizing and some other ants are busting the pickets and some other ants are blowing up anthills and some other ants are busy manipulating the entire system. Oh yeah. Those are some good weeds!"

Monday, March 22, 2021

Chapter 1: Section 5: Page 36: Line 5 (587)

 Inconvenience would fit right in, as one more effect whose only purpose was to entertain.

* * * * * * * * * *

This fits with how this book has started, as an easily accessible boy's adventure novel. "Don't worry, readers! This big airship is just a standard entertainment! Just a bit of adventuring fluff! It doesn't represent anything else at all!" Even though it probably does represent something else. Early on, I speculated that the Inconvenience represents the book Against the Day itself. This sentence is pretty good evidence toward that supposition. Here we have a book, Against the Day, whose only purpose is to entertain. But that's the illusion of it. It's actually there to observe the people. And what else does good literature purport to do other than reflect a mirror back on the reader, as if it had been spying on us all along.

Chapter 1: Section 5: Page 36: Line 4 (586)

 Fairgoers would see the ship overhead and yet not see it, for at the Fair, where miracles were routinely expected, nothing this summer was too big, too fast, too fantastically rigged out to impress anybody for more than a minute and a half, before the next marvel appeared.

* * * * * * * * * *

In other words, it's a perfect way to spy on Fairgoers. It's not suspicious because it's just as awesome as every single other thing at the Fair.

Is Pynchon also discussing subtext of the novel as it's about to transition from Boy's Adventure Novel to something else, something more difficult? Here we are at the Fair in a vaguely steampunk Boy's Adventure Novel with so many amazing and fantastic things to read about that the reader hardly notices the subtext at all! All the exhibits and wonders described at the Fair? Were they just there to amaze readers with the attractions the boys were seeing? Or did they all have a deeper meaning to the white imperialism subtext pervading this entire chapter? Who would notice the subtext with all this other crazy stuff to look at!

"too fantastically rigged out to impress anybody for more than a minute and a half, before the next marvel appeared"
This describes reading this book so densely packed with examples and allusions to various imperialist operations happening around the globe. Each one is described one sentence after another, giving the reader no time to really wrap their head around each one. Reading this book multiple sentences, multiple paragraphs, multiple pages at a time leaves little room for contemplation of everything that was just read. The only way to take in all of these sights is to slow down and take them one at a time, or in other words, "to single up all the lines."
    This is one of the reasons people take television so less serious an art form than movies. Because television programs come at you non-stop, one after the other, leaving little time to think about or discuss with others what was just experienced. Whereas movies give you an immediate break afterward, whereupon the viewer can walk out and ponder what was just experienced, perhaps discussing it on the way home with a friend with whom they had gone to see it.
    Maybe that's all changed now with streaming services and everything instantly at our disposal. But in some ways, it's also worse. When you binge a full season of a show, you barely think about it at all. It's a visceral experience, felt more than thought about. Have you ever noticed how when seasons of a show drop the full season at one time, when you're ready to watch the second season you can hardly remember the details of the first season? This probably doesn't happen if you've had repeat viewings or if you engage in discussion of the program online. But that's sort of the point! Marvels that appear before you for a minute and a half apiece are soon forgotten. More time must be put in. Understanding and comprehension take patience.

Doing this project has taught me two main things: 1. Reading a book by stopping after each sentence and contemplating that sentence as much as possible truly fills out the experience of the book; and 2. Life is too short to read very many books this way but now it's the only way I want to read them.

Wednesday, February 24, 2021

Chapter 1: Section 4: Page 27: Line 28 (400)

 A fellow scarcely knew after a while where to look—

* * * * * * * * * *

The "fellow" in this line is probably a reader of Pynchon. And all of the various mechanical flying contraptions are the themes within his books. Pynchon is showing us that while his themes are extravagantly different from each other, one to the next, they still all relate in one key way: they are all flying machines.

I don't mean to suggest all of his themes are about flying! That was just part of the analogy or metaphor inherent in the subtext of Merle's observation! I don't know, exactly, what the relationship of all of the themes Pynchon is exploring might be. I don't even know what all of the themes are! I've pointed out a few, like light and labor rights and imperialism and racism and Star Trek and technology. But I haven't read the entire book so I'm probably missing a lot of them. But even if I had read the entire book, I'd still probably miss a lot of themes because they concern aspects of life to which I'm barely attuned. Plus, I'd probably not know how they all relate seeing as how I've read Gravity's Rainbow one and a half times (at the moment! It'll soon be two! I swear it!) and I don't think I'd be able to explain it very well. It has something to do with escaping the system by somehow extricating yourself from the eyes and ears of the powers that be, of somehow accepting that you'll never know or control everything and maybe you just need to make peace with that. It has something to do with shoving your sex slave into a rocket and blasting him into oblivion wrapped in a material that might have been used to give a poor little baby a hard-on decades earlier. Whatever it's about, it's a fantastic read and worth it simply because every section is like a short story delving into the philosophy of some aspect of modern life. I'm not sure you even need to read the book straight through to truly enjoy it.

Anyway, the fellow scarcely knowing where to look after a while is just a person reading and trying to understand the newest Pynchon novel. It's as obvious as Pugnax being a Scrappy Doo insert.